• About The Tarts
    • Tarot at the Table: Draws and Readings

The Tarot Tarts

    • About The Tarts
    • Tarot at the Table: Draws and Readings
  • February 2026 Decks

    February 8th, 2026

    Warning: nudity portrayed in the cards

    I recently purchased the Materia Prima from Uusi, an oracle deck based on the periodic table that I’ve been looking at since 2020. I do not know why I waited so long. Though I don’t usually like decks where I find the guidebook necessary, I have been loving this deck and book so much that I knew I needed to use it this month, and I wanted to base my monthly decks off of it. For the theme I chose “Elemental.” To me, this key word evokes thoughts of adhering to basic principles of Tarot (and Oracle) as well as alchemical exploration in the Tarot systems.

    The Terra Volatile with its entire fifth suit of Vessels dedicated to “Quintessence,” and its general alchemical vibe seemed a no-brainer companion to Materia Prima. Though I’m far from able to say I know Terra well, I do feel comfortable using it now after extensively studying it last year. I also wanted to bring The Naked Truth Tarot, is a deck I had since its Kickstarter twoish years ago, but never formally included in a monthly decks. This is a cheeky deck of mostly nude paintings is pretty “Elemental” in it’s unabashed portrayal of people. While it is RWS, it also has very clever takes on the traditional card meanings and it’s just a very beautiful deck. The Secret Garden, an absolute lux deck with plenty of accompanying Kickstarter rewards is really fitting my mood as I wrap up the historical fiction novel The Column of Burning Spices, a book about Hildegard von Bingen. This deck centers around very stoic historic figures with dramatic dark backgrounds and brilliant flower motifs. It’s serious, beautiful, and has a historic apothecary garden feel that matches the rather dark mood in the rest of the decks. And finally, The Wild Unknown Archetypes oracle is no stranger in my collection and has been around for a while on this blog. But, it does feel very primal and elemental in its imagery and Jungian themes.

    So, full disclosure, I had a totally different draw organization intended for this month, but the Secret Garden Tarot had other plans and very clearly spat out one card that landed face up on the left and two cards face down on the right. It seemed quite purposeful so I decided to let it be and draw my other cards around these three.

    Ah, The Womb. This is a card that has a tendency to pop up for me. I personally think of it as “The Source”, its that thing that ties all living things and non-living things together, a place where we came from, where our mothers came from, and their mothers, and mother earth. Its about holding a sacred space, and understanding that when we deviate from our spiritual/moral source, things are out of balance.

    Paired with The Womb is Bromine, one of the reactive Halogens. Let me take a paraphrased quote out of the Materia Prima: Reflections on Matter as I cannot do justice to this card with my own words:

    His was a simple, productive, monastic life until a bright light shown suddenly on Bromine. Extraordinary attention and false praise inflated him and led him to abandon his natural, established order…The thrill of a cheering crowd!…Bromine began to feel superior and embarked on a steep and forbidden road that brought about a troublesome existence…ashamed of his foul toxicity, he reveled in poisons…And then, all of a sudden his moment of greatness was gone… (page 163)

    The rest of Bromine’s story here speaks of falling into shunned oblivion and longing for connection, until Being “politely reopens the door. “

    Bromine’s story reminds me of Mean Girls, and any story really about a bully who rises to popularity. The bully may not even mean to be a bully, but whenever a person feels superior to others, they tend to excuse their actions to greater and greater extent until they can no longer deny that they are toxic, at which point they are so invested in their image they also cannot suffer the shock to their ego to admit how wrong they have been. Any one who has ever known a person with a narcissistic personality knows that this sort of person will literally prefer to die than admit their wrongs. When we stray so far from the universal threads of kindness, truth, and justice, we face the same perverted pride that Bromine is dealing with. It will only end in isolation. I feel as if there are many things in the current world reflected in this story old as time.

    Together, the womb recognizes Bromine moving away from living in harmony with what connects us all, and we can see not only the destruction Bromine has done to the rest of the universe, but also (and perhaps most profoundly) to themselves.

    I’m going to do this reading in a bit of a reverse order as I felt it was important with the position we see in Bromine.

    To Bromine’s back, or perhaps we can say “past,” we have some very interesting imagery. First, from the Terra Volatile, which seemed to have gotten the memo about this being an “elemental” month gave us the King of Vessels in reverse. Vessels are a fifth (non-traditional ) suit that represent æther, a spiritual/alchemical element of the soul. He is supposed to represent the alchemical “Great Work” or the ability to create the mythical Philosphers Stone which purifies everything into its most essential form (like turning base material into gold). Or in more practical terms, a rebirth into a new whole self. His purpose is to merge with the Queen of Vessles and harmonize. But turned in reverse, he denies this sacred union. He selfishly keeps his power to himself, but in doing so is unable to accomplish the first step of spirituality. From the Terra Volatile book “…some can call him a cult leader.”

    Then Secret Garden Tarot gave both Judgement in reverse and the Eight of Cups reversed. Judgement calls us to account for our actions, to see reality for all its truth and understand how we fit in reality and understand how the ripple of our actions have affected the world. When seen reversed, this isn’t happening, or is somehow blocked. The Eight of Cups in the RWS traditionally means moving away from a relationship, either leaving it, looking deeper, or cutting one’s losses. This image in particular is interesting because upright it seems to invite us to the window to gaze out at the moon, but reversed it is not clear to me which direction we are asked to move. To me these cards together speak of walking away from accountability or being unable to tell that you are being called to account.

    With the King of Vessles Reversed and the Judgement Reversed and Eight of Cups Reversed, this feels as if someone, or rather “Bromine” was falsely duped by a manipulative “cult leader” into believing he was better than others but the reality says differently and he is unable to square himself with that past.

    Bromine gazes on the Page of Pentacles as they put their faith in a plan and is about to take the first step to plant a new idea. Above them from The Naked Truth Tarot sweeps one of the extra cards labeled XXIII The Enchantress. Clearly a witch, she brings a burning torch down from the dark skies, much like Prometheus brings mankind fire. A special card of the deck, she represents a feminine and heightened counterpart to The Magician. She is a master of her own power and has the chops to harness her outer-world to do her bidding. She relies on no cheap tricks, but rather trusting her personal intuition and embracing the mystical aspects in her life and her own skills. She is leading the charge it would seem.

    The Page is ready to take the first steps into a process in which they are unsure of the results, but there is a lot of hope hinging on this Page’s limited resources. Even so, in the meanwhile there is plenty of other fruits and plants to help support them as their vision takes root, things that have been seeded long ago that are blooming now. I wonder if Bromine and the Page are the same person, and Bromine is looking upon a possibility of themselves. Or is this Page another who is moving on to a better world without Bromine? Is this Page purposefully turning his back on Bromine? Does the Page know they have The Enchantress guiding over them? Preparing to give them her fire and knowledge?

    With strong feminine guidance rooted in honest mastery of oneself and connection with the greater world, we see the start of a Page’s hopeful endeavor. This Page has moved on from the struggle we see Bromine is suffering, and uniting back with that Womb–Source. I see the relation of the Womb gifting the Page the Enchantress’s self realized powers while the Page in turn gives back to the Womb.

    Anyone who has felt wronged by another I think can relate to this drawing. I don’t think it’s a stretch to say we can see current real life parallels. To me this is a draw about acknowledging where others have gone wrong and tried to exert their superiority, and how they end up on such a corrupted path that is removed from reality, truth, and a balanced living. The world must go on without them, new harvest must be planted, new ideas for shaping the future need to take shape in our minds and heart and we can use old guiding principles of justice and equality and simple intuition of treating others how you wish to be treated. Perhaps one day they will see and walk the road Judgement asks us all to take, but only they can choose to become the change for the better.

  • January 2026 Decks

    January 19th, 2026

    The Oracle of Many Paths, Discovering Beauty Tarot, The Yukika Tarot, Conjunction Tarot, Hexen 2.0 Tarot

    Content warning: there are several pictures of snakes ahead

    Hello 2026! One thing that made 2025 a bit of a “rediscovering” Tarot year for me was starting out with a intensive month of studying the Terra Volatile. This helped put my mind in study mode for the better part of the year. I ended the year in study mode as well focusing on my pip decks which I thoroughly enjoyed and am continuing to study as well. I wanted to keep that open mind feeling I had last January, but seeing as I did intensive study last month, I wanted to channel more fun and free “Fool” energy this month, so my chosen theme is “Beginnings,” or utilizing decks that I really feel I do not “understand” so I can sit with them in bewilderment and awe.

    Most of these decks are new to me, with the exception of Discovering Beauty Tarot, which is a deck I’ve used a bit last year but it has a lot of unexplored depth in it’s Notan inspired art by Sophia Litwak. ALL of these decks are difficult, deep, and challenging decks that ask the mind to do lots of work. The lovely Yukika Tarot (by Stasia Burrington, same artist who made the Sasuraibito Tarot) feels the most RWS of the bunch, but it’s still very fast and loose with it’s interpretations and is also a wonderfully profound deck. The Oracle of Many Paths, which is a Tarot with an oracle function, is classic weird and wonderful creation of James R. Eads and is so, so refreshingly new in it’s take on the Tarot system made into a map. The new cool kid on the block, the Conjunction Tarot by Ina Auderieth is a moody, eerie Thoth deck with roots in metaphysics and hermeticism. I don’t by any means intend to master any of these decks by the end of the month, but rather to give myself a big sand box to start this year of my Tarot exploration. I’m hoping as the year goes to revisit each of these decks as a touch stone of 2026.

    And then I feel like I need to address the wildly complex Hexen 2.0 Tarot (Suzanne Treister) which I find is far too often above me, and its the only deck I’ve use in which I feel a bit like an imposter when I am drawing cards from it. I’m using it in this monthly draw as my “oracle” card, but I almost did not write and publish this post because of this deck. Okay! Enough talk, let the cards fall! (er, jump, I guess)

    Normally I read my Empress as nature or a nature-driven creator, the wellspring of creation, a Persephone entity, a mother, the untamed wilderness to the organized Emperor’s civilization. Underneath that assumption is there are invisible things, almost like magic, at play. Systems built to keep a world working a certain way, much like a natural food chain, the lifecycle of water, etc. Here it seems we see some human created systems that operate unseen in our world. As I said already, the Hexen 2.0 is above my reading level as it were, and I’ll let the reader draw their own conclusions about this card, but I’m keeping my classic Empress in mind as I go on.

    Portals oh my!

    The Yukika Tarot re-envisions the Wheel of Fortune as a portal to another dimension—goodness, there is certainly a lot of us out there that feel like we’ve steeped into a whole other world! We cannot see what is in front of us, but onward we go whether we want to or not! It’s a great leap into the unknown.

    The Oracle of Many Paths’ portal has the great World Serpent in its 17 card (The Star) spiraling into the sky. The lore of the post-apocalyptic deck explains the serpent is considered a magical and extremely lucky entity to see (Breath of the Wild anyone?), and the portal, should you be quick and brave or foolhardy enough to jump into, will lead you to another world. I saw this and immediately thought of Falkor, the white Luck Dragon from The Never Ending Story, who is one of my favorite characters of all time. Snakes, being that they periodically shed their skin, seem an interesting animal to represent The Star, as its the starting over after the fall of The Tower.

    So, the unseeable path forward is one of hope.

    Snakes seem to be a theme of this draw. I personally am fascinated by snakes, so it’s particularly interesting for me to see the ways they pop up in draws. In the Conjunction’s Two of Disks, it seemed at first glance the snakes are biting the hands, but actually, if you look closely, their tongues are passively tasting the air. Right away I get sensing fear but actually there is none to be had when I look carefully. As with a standard two of pentacles, we see a sense of balance and opposites being able to compliment one another; we have silver and gold, warm blooded and cold blooded, yin and yang, sun and the moon, black and white (honestly I feel this card encapsulates this whole deck in it’s general vibe).

    And perhaps the most epic Judgement card ever to exist came out of Discovering Beauty. Here we see Medusa as our Judgement. Though traditionally Medusa has played the role of the bad guy, her story is actually an incredible story of womanhood that unfortunately rings true through the ages; being blamed for the violence done unto her, and rising to become so much more and stronger despite all the gods against her and ultimately portrayed as evil for her survival. This card and deck demands we do better by Medusa and by ourselves. We experience terrible things that ought not to happen, but we find in our resourceful natures a chance for us to heal our scars, find acceptance and kindness for ourselves, and become something awe inspiring and terrible for those who mean us ill.

    Together I take these cards to mean the pendulum swings in both directions, now is the time to grow into something stronger than what you were.

    Oftda.

    I feel like I’ve been saying that a lot these past months.

    This is a draw speaking of change, of things unseen happening, of choosing the unknown and going forth with faith and hope, of seeing a sense of balance amidst strong dichotomy and becoming better in a very profound sense. With our strong serpent energy I see coming out of our old skin into a new world—what that will look and act like is yet to be seen.

  • Deck Review: The Prisma Vision Tarot

    December 30th, 2025

    The Prisma Visions Tarot 6th Indie edition, acquired 2021. No fake phone-rainbows here, the sun came out the only day this month to bless my photo of the deck and then effed right on off again.

    Overall: 9/10  I won’t lie, I had to grow into this deck to come to love it as much as I do now. When I first bought it, it was very much a mystery to me, so if you’re not interested in learning a deck, this one might best be skipped. I perhaps did myself a favor and waited until I had several other decks comfortably under my belt and a tentative understanding of the RWS before I acquired the Prisma Visions, but even then it took some serious study to get a handle on this Tarot.

    This is the deck that exemplifies the guy in any anime high school drama everyone secretly wants to date even though he’s super popular and very smart and yet somehow also the “quiet” introspective one. We all know that it’s impossible for all these things to be true at the same time, and yet here we all are with this deck. Because I only live under a rock half of the time, I know that this deck is quite divisive and it often falls into the “love it or hate it” category, but even those who dislike this deck have taken the time to watch a flip through just to make sure it wasn’t for them. You cannot help but be intrigued by this deck, it’s just so candid and charming while still being dark and mysterious. This deck exudes sensuality without being lewd, or even sexual for that matter. Is it the art style that somehow leaps off the cards? Is it the strange imagery chosen for the cards? It’s playful, it’s serious, it’s fun and quirky, it is not at all afraid to call you on your shit. It’s romantic. It will wink at you. I think of it as the masculine counter to my Shadowscapes deck.

    Some of my favorite takes on the cards.

    I WILL say, that even though it isn’t apparent by looking at the cards in a flip through (or at least wasn’t to me), there is a quiet, unsettling darkness to this deck (hello magician manipulating a little person in his hands!), so be prepared for that if you’re only looking for a fluffy, pretty surrealist/impressionist deck.

    The pipish wands

    This isn’t a deck I reach for often, but it is a great reader for complex and serious subjects. At first, I had to work through the pipish quality of some of the minors (the wands were particularly a struggle for me). It also has some pretty grand deviations from the comfort of the RWS system (the Fool is a pelican, and one that isn’t being particularly foolish), but I enjoy immensely the big book that was offered with the 6th edition printing. It is a dual book for the Prisma Visions and it’s younger brother the Cosma Visions. It’s arguably one of my best books about Tarot I own in general. However, unless you’re familiar with the cards, it can feel like such a slog to do a reading given this deck wanders from traditional structure and imagery. And then at some, undefined point it all clicked into place for me. This deck reads unlike any other I have in my collection.    

    Card Quality: 4/5 So. There isn’t anything to complain about at all. Top notch quality, fine matte finish, flexible but still thick enough to be sturdy, and the silver edging has held up to years of use. There is slight, intentional deviation with the printing color on the backs to make the deck look a bit more unique and eye catching, not that the gazing eye on the backs needed anything additional. BUT! I do have a gripe; as part of my pre-order, I purchased a set of the 79th extra cards that had come before in past printings so they’d match this printing cardstock, and, well, they’re slightly longer and wider than the deck! It drives me bonkers. They are technically not “part” of the deck, but I still use them, and I feel them and see them and…urgh.

    Whyyyyyyyy???

    While the deck does come with the LLW, the big book is where its at!

    Readability: 3/5 This is solidly an intermediate readers’ deck. The images and symbols are not always congruous with the RWS system, and I honestly would still be on the struggle bus if I did not have The Book of Prisma Visions. The Big Black Book that you must buy separately is a wonderful treat in and of itself with excellent in-depth meanings and musings. It’s also written really well and presented with perfection, so there’s that. But don’t expect to be able to use this deck and whisk through a spread. It will take time and a rather steep learning curve for sure. It has an internal system with delightful nuances, but they can be subtle and appear rather unexpectedly. For that reason, I personally would not feel safe using this deck to read for others. I will say, I tend to get pretty strong emotional ideas from most of the art found in this deck, so if you’re really good at rolling with vibes only, perhaps you can pick up this deck and run with it.

    One of my struggles with this deck and reading it was getting used to the idea of the court cards being much more “elemental” aspects of people or myself. Now that I spent a month doing daily study of the Marseille structure, this makes much more sense to me, but at the time I picked this deck up, I had trouble with the courts, especially the Cups and Wands as they are portrayed as very ethereal characters that seem almost out of control.

    The paneled story of the Pentacles suit. Typically the Pentacles are the least interesting suit to me personally, except I LOVE the Pentacles in this deck! I love the seasonality of them but also they really do feel grounded in comparison to the other suits.

    Art: 10/5 I mean, it’s absolutely stellar and unique. Even if you don’t like it, I think a person would be hard pressed to say this is somehow “bad” art. I feel in the past few years there have been a few decks that try to do something similar in flavor, but none have come close to this masterpiece. The minors tell a paneled story from card to card when lined up. It’s brilliant. This deck definitely has a really strong masculine presence, much like The True Black Tarot, but it is way more open and friendly.

    Favorite Card: The Knight of Pentacles. There is something that really strikes a chord with me with this idea of riding the “unicorn,” bareback and unbridled, slow and steady. You cannot rush nor control the direction of your dreams. I also like that the knight is riding fully armored without shoes! Also, pumpkin sized strawberries for the win.

    Least Favorite Card: I The Magician, but not because I think that it’s inherently a poorly executed image! I’ll admit, it took me nearly a year of owning this deck before I noticed the little person in the palm of the Magician’s hand. I understand this is supposed to represent ones ability to master their own subconscious (and for some of us, they could stand to master their consciousness as well), but as a person who has experienced manipulative abuse…I really don’t like this Magician. It certainly makes me think of the Magician’s dark side.

    Card I Identify As: I don’t particularly identify strongly with a particular card.

    The deck Identifies me as: III The Empress

    Boxes it Checks: Nontraditional, Beautiful, Story Telling, Masculine, Romantic, Cohesive, Surreal, Impressionist

    Similar Decks: The Light Visions Tarot, The Cosma Visions Oracle, The True Black Tarot, The Lost Forest Tarot (by Chelsea Santamaria), The Literary Tarot (got a similar color theme), assortment of AI created decks

    Season: Beltane/Mid-Spring, but I can see this being a bitter winter’s deck too with the dark themes and the stunning snowy sword suit.

  • 2025 Best Decks in Review

    December 25th, 2025

    Typically I will find a yearly deck over-view someone on TarotTube posts and I’ll follow along for fun. But this holiday break, I felt compelled to make my own list of what I thought were some of the best decks I used this year. Note: these weren’t all decks published this year, some were from 2024 or even earlier, they are just the decks that I used and was impressed with! Some of my years “best” were return favorites that shined in new way. Let me share:

    1. Deck That Stole My Heart: The Lighthouse in Fog

    This very quirky deck, which I believe is from a Taiwanese artist(s?) and encompasses five different styles (one for each suit and one for the majors) was a complete spur of the moment purchase for me and I’ve been absolutely obsessed with it since. It’s an odd shape, and odd texture, the images while RWS are incredibly unique and it feels like the whole deck paints a story I wish I knew more about. If any of y’all know more about the origins of this deck, please share! The images are incredibly thought provoking and this deck has such a adventurous and completely unpredictable personality that it’s impossible to ever have a boring draw.

    2. Best Deck for Inner Child Work: Forest Spirit Imprint

    If you follow my monthly draws you’ll know I waxed on and on about this sweet deck early in 2025, the Forest Spirit Imprints. Colorful and innocent yet not without its scenes of struggles, really made me tap into some of those moments of make-believe and wonder I had as a little girl. Reminiscent of Arrietty the Borrower, this deck where our MC is a small person exploring the vast world feels so on point for how a great Tarot deck ought to make a querant feel. I’m not a person who seeks out “cute” decks, but this year really delivered, and this deck in particular I feel accomplished the security a deck requires when working on the inner child but also does not feel overly saccharine nor completely neutered of darker themes. If I ever find myself reading for a younger querant, I’d likely pick this deck.

    3. The Dark Horse Deck: The Exile Tarots

    It took me nearly a year before I picked up and used in earnest the Exile Tarots, Silent and Awaken. At first blush they did not seem to come close to the artist’s other deck I am a huge fan of (the Monsoon Tarot), but once I started using these decks side-by-side, something really clicked into place. These decks use nearly the same artwork for each card except there are slight yet profound changes in the images that have a tendency to completely rewrite the card’s narrative, all while sticking true to the RWS. These decks (especially the Silent) are not afraid to go really dark. It seems all the more shocking when the characters appear to be very cute and soft. While one could use these decks separately, I find when I want to use them I combine them and see what happens. It’s a very different way for me to think of Tarot.

    4. Best Interpretation of the RWS: Animal & Food Tarot Card

    This deck IS totally saccharine sweet and it’s perfect for it’s content! Every time I draw a card from this deck I’m so impressed how the artist really understands the RWS and can make such a wonderfully complex deck about animal confectioners, patissiers, and chocolatiers. Delightful and always bringing a smile, this deck is clever, tongue-in-cheek, and so gosh darn cute, it is the only deck I’ve purchased as a gift for a family member. This is one of those decks that arguably does the RWS better than the RWS. Burn me at the stake.

    5. Most Anticipated: The Children of Ostara

    It took me a very long time to warm up to Xia Hunt’s Children of Litha, but I’d been waiting and waiting for her follow up deck Ostara to arrive from the Kickstarter campaign! My Tarot friend was so kind to let me use her copy that came earlier and I really clicked with the botanical witchy deck! Colorful, vibrant and an excellent, well thought out card narrative, this is a deck that I will certainly find something new each time I use it. The Kickstarter campaign reward options were just out of this world, and it was worth the wait. It is a deck I cannot wait for spring to break out again! I might need to cheat and give myself a little floral dopamine hit this winter.

    6. Unexpected Acquisition: The Tarot of the Silicon Dawn

    In the TarotTube people say they have “Unicorn Decks” or a deck that they feel is like a unicorn—rare, difficult to get, beautiful, magical. The Silicon Dawn is one of my “Unicorn” decks. It is so strange and evasive to me that even though I’ve used it as a monthly deck, I think it’s going to need a whole month in the future dedicated to deep diving it as it feels like there is much I can learn from this deck. But in the mean while, I can admire it for it’s strangeness and beauty.

    7. Old Standby: The Tarot of the Golden Wheel

    It’s funny how older decks return to you in new ways. I kept finding myself reaching for the Golden Wheel this year, a deck that is much beloved but not necessarily a deck I’d consider myself particularly familiar with. This year I gave away my only copy of an actual RWS deck seeing as I never used it and was no longer using it as a reference, but I found myself in the exploration of Thoth and Marseille looking for a comparison deck and while the Golden Wheel isn’t a RWS clone by any means, I really felt drawn to how it portrays the cards. In a monthly deck it provided some key cards that really captured my emotions in the moment (ah-hem, the Six of Swords). AND now that I have a new Tarot student in my life, I find myself taking this deck out a lot for them as a reference deck. It’s fun to use it to teach!

    8. The One that Came Back: Slavic Legends Tarot

    I’m not typically a Tarot collector that likes to have multiple copies of a deck. However, there are a few notable exceptions; when the different copies are drastically different, or in an odd instance when I have a truly collectors deck and I want a separate one that I can abuse. The latter is the case I found with the gorgeous Slavic Legends. I really wanted an easily shuffle-able, more manageable sized variation to bring around with me and share with others. So when my friend told me she was ordering from Taroteca Studios, I happily jumped on to that ship to combine shipping cost. In a way, this deck allowed me to rediscover the greatness that it the Slavic Legends because now its more accessible to my daily use.

    9. The Teaching Deck: Terra Volatile

    Most years when thinking about Tarot and the work I did with the cards, I typically think back on the deck that taught me the most in that year. Without question, that deck this year is the absolutely massive Terra Volatile, and its humongous companion book. I have not felt so small and lost in the sauce of Tarot since I first started getting serious about learning it ten years ago. It has been an elation each time I pull a card because I know that the images are going to show me something I have not yet seen, and the corresponding written companion text will deliver for every card. This book, which I’m slowly making my way through, may be the third BIG tarot companion book that I read cover to cover.

    10: The Eerily Accurate Reader: The Whisper of the Stars and Garden

    I’d say, about once a year, maybe less, I stumble upon a deck that just delivers a scary accurate reading every time I do a draw, and it doesn’t matter the subject or the querant. It gets to be just uncanny after 20 or so draws with the deck, that one starts to develop a suspicion when one takes it out. Some times the deck is beautiful, and, well, sometimes its rather humble. I can never tell when such a deck comes into my life until I pick it up and use it. This deck is down right gorgeous and has been completely on point every time that its hard to put it on the shelf to work with others.

    How about you, dear reader? What decks really amazed you this year in 2025?

  • December 2025 Decks

    December 15th, 2025

    Only Fans Pips

    My Tarot sister from a different mister finally convinced me to dedicate a whole month to making a second attempt at learning the Tarot Marseille system, and pip decks in general. I’ve snagged a bit of theory and structure while watching her as she reads her pip cards. I’ve used my monthly decks at least once in the past attempting to learn pip cards, but this month I’ve actually been dedicated to the cause, journaling daily, asking myself the numerical progress of the cards, using the Tarot more like a Lenormand with looking carefully at the pairings, directionality, order, etc. I still don’t really know what I’m doing, but I’m giving it a go, so thanks for putting up with me on the Marseille struggle bus!

    I picked decks closest to traditional Marseille style this month because I don’t have an actual Marseille deck, but being that they’re not exactly Marseille style decks, I’m kinda making it up as I go. Firstly my very cute and ultra lux Tarot Minchiate replica deck (from Amparo Aguirre Cortés) it totally different with the triumph/major cards, but it’s pips are pretty simple and traditional. My SwordsWoman Tarot is pretty close to a Marseille, but of course the majors and court cards have famous swordswoman featured. The Mythical Creatures Tarot from Baba Studio is a Maresille/RWS hybrid so that feels a bit more comfortable to me and the book is a wealth of information so that’s helpful. Then, I finally worked up the gumption to use my Sefirot Tarot deck, probably the closest to an actual Marseille deck I have, but a Kickstarter I was really disappointed in. Now I’ve been using this deck almost daily it has admittedly really grown on me. And, rather than an oracle, I have been itching to use my Gothic Literature Tarot this late fall, and seeing as it is pipish, I figured it could make the lineup this month. Though it uses the RWS system, it has a big mood that makes up for the sometimes plain feel of the pip cards. Alright, onward to this train wreck!

    Oftda! Well, my favorite card in The Gothic Literature Tarot is the Death card exemplified by Eric, the Phantom of the Opera. Eric easily has the most interesting character arc in that story, and he has a metaphorical death (and perhaps actual death?) that allows him to grow his empathy and as a person when he learns what it is to actually love (its to let go, and put the other persons wishes ahead of his own). Well, it may be my favorite card, but I don’t like starting off my monthly draw like that.

    From the Minchattie, I drew the Five of Batons and the Nine of Coins. I had the joy of a short road trip to see family early this month that allowed me time to reflect on what I think of the Tarot suits meanings, and the numerical and court meanings as a structure to start thinking about Marseille. I’ve begun thinking of the fives as the cards of upheavals, putting your early lessons from the suit to the test. With the passions and actions of the wands, I see the upheaval being chaos and roadblocks preventing me from going forward but demanding growth. Nines on the other hand I’m envisioning as the “fruits” of the suit, the internal satisfaction, the consequences of the suit. The Nine of Coins speaks to the physical material world, so the Nine of Coins is the satiation of my worldly needs, but perhaps also coming to completion in my work projects. So the Five of Wands combined with the Nine of Coins I read as “no pain no gain”, or perhaps more reasonably, the struggle is worth the effort. In this Minchatte deck I see the coins have people on them; perhaps my direct influence extends beyond my immediate circle. Other’s share my struggles and successes.

    From the SwordsWoman Tarot I drew the Eight of Coins and the Page of Cups. I’ve been exploring the eights as the structure of the 4’s but having the skills to break past that structure and be innovative. Eights for me so far are the numbers of taking initiative. With the Coins, I feel this is needing to do the hard work to level up to mastery, very similar to the RWS with the idea of refining a skill. Then the very surprising Page of Cups. Pages to me are the “apprentices” of the suit, new to the concepts of the suit and being in a student position, willing and eager but inexperienced and prone to mistakes. Cups to me are a suit of interpersonal relations and managing emotions. This seems pretty clear I’m in need of honing my interpersonal skills (ain’t that the truth), which starts to pair well with Eric’s hard story of personal growth (urgh).

    Oh boy, then we get to the Mythic Creatures Tarot. I pulled The Tower and the Nine of Swords. I feel like almost anyone reading this knows that the Tower is not a nice card to see, and if there’s any doubt about it’s meaning, the Kraken consuming the ship does a better job than my words can describe. Nines, again, I see as the fruits of the suit, the thing that manifests as a consequence of the suit to the querent. With the Nine of Swords that’s actually coming to harm, not just the imagined harm that is seen in the RWS Nine of Swords. Here we see the butterfly hopelessly facing the Kraken to the left. There is a huge upheaval outside of my control and I’m not escaping it unscathed. Eek.

    And we finish with the beautiful and simplistic Sefirot. I pulled the rather sever Empress and the Five of Swords. We’re starting with five and ending with five with the “oracle” theme being death. Dang. The Empress to me is creative authority, motherly-ness, feminine strength, natures’ power. Fives, again, I read as the upheaval of the structure and stagnation of the fours. The middle double edge sword is literally breaking through four single edge swords, offering a new way of making and using a sword. It’s point is red hot and dangerous! The Empress’s nurturing power is the key to my breakthrough, bringing those more holistic and emotionally connected ideas into the suit of the mind and intellect, and we’re coming in hot!

    Again, ooft, this is going to be a tough month. Together I see this month reaching some critical ending point which will transform me as a person–perhaps there’s something that is ending (one can always have hopeful wishes, of course) which creates pain but opens the door for growth. I share my struggles and successes with my community and it’s apparent I need to refine my people-skills. There is a devastating upheaval we will all feel and we need to meet it with firm, careful loving touch to overcome this challenge and break the mold.

    Wow. Well, I hope the cards have given you a more gentle end of year reading! Be well and safe, dear readers.

  • November 2025 Decks

    November 25th, 2025

    From 10 o’clock, clockwise, Shining Stars Tarot, The Citadel Oracle (combined with The Deck of Emblems), The Endless Tarot, Medieval Europe Tarot, the Aisling tarot

    This month my bestie and I needed some much needed escapism in our free time, so we decided to do another monthly decks based on a D&D party. For those of you who haven’t been here for a while, this is a hilarious game we play where we roll a dice to determine what kind of characters are in our “party” and then we pick tarot decks that exemplify that character. This month we rolled a Rogue, Barbarian, Wizard, Sorcerer, and a Fighter. We have a huge draw that is a “quest” for the party that usually takes several hours to complete, but I’ll save that draw for another day. Here’s my monthly draw and I’ll explain my choices as we go:

    I kept getting double jumpers from the Endless Tarot and the Shining Stars no matter how many times I reshuffled, so I kept the two for each and it turned this into quite the full feeling monthly reading!

    I wanted to use the Citadel Oracle mixed with the accompanying Deck of Emblems for my rogue character. It seems very rogue-like that the deck knows the “city” inside and out, and knows each character’s role and doesn’t try to justify morally the roles each plays. From this deck I drew The Merchant–you have things to offer, you need to weigh the cost this is to you to make a fair trade. You may also unexpectedly have something that others want or need that you’re not even aware of. Make sure you value your self and your time. Make sure that when you are giving, you are getting something of equal value in return. Be careful of time wasters who don’t value your worth.

    I was torn about which deck to use as a fighter. In comparison to the barbarian I imagine a fighter being well trained, disciplined, professional and able to take a birds-eye view of a situation, and a little lonely. The Endless Tarot really fit this bill! For the first half of the month I was (surprisingly as I adore all of Maille’s decks) having a tough time with this deck and the large swaths of black edges, but I’ve finally warmed up to it! The Endless gave me the 10 of Pentacles and a special extra card, The Story. Together this reads to me as sharing my ancestral stories, my communities’ stories. With the merchant, it makes me think of rewriting the narrative to properly reflect real people’s experiences, or maybe crafting a story as part of a trade.

    I’m so glad that the Shining Stars Tarot turned out as cool as the Kickstarter made it look! I don’t have a picture here, but it has sparkly purple edging and the soft touch card stock is just to die for! This deck bases all of it’s images off of mythical figures or figures of legends, real or made up. This became my wizard in my party as it requires some prior knowledge of these legends or otherwise requires legwork on my end! We have Hermes in the Eight of Wands with rapid motion and movement. Then we also were given the Seven of Swords with Robin Hood, having taken seven swords from the wealthy manor also moving rapidly! Lots of action it seems. Perhaps I’ll be attending to righting some systemic wrong. Hmm.

    The Aisling tarot has been completely enchanting to me this month. As the sister deck of She Is Wilderness tarot, I finally bit the bullet and purchased Aisling, which I’d looked at several times since it was published last year. It is definitely a very quirky deck indeed from it’s odd shape to very interesting takes on the Marseilles system. It has a witchy, lolita-esque vibe that is very different from anything in my collection. This is the deck I chose for the Sorcerer because of its witchy-oddness that is very charming. I drew from the deck its classic take on the Fool. Our fool is very confident! She goes forth head held high on her new adventure, and we wonder if she sees the edge! There is much to look forward to, but also know there is present danger.

    Then from my rough and tumble and much beloved Medieval Europe Tarot—which, due to its graphic imagery, is playing the role of the barbarian this month—out came a surprisingly passive Knight of Wands. This knight, while fully dressed and ready for battle, is instead passively waiting, courage at the ready, peaceful scepter held high, and head in the clouds, imagining outcomes. This, from a deck that is all about impulse and barbaric action, really is out of key with what I’d expect from a Knight of Wands (typically the most impulsive card in a RWS deck!). With the accompaniment of the fool, I read these two together as “go forth courageously, but stay action, be prepared and measured instead.” I also think it’s interesting we see the scepter in both Hermes 8 of Wands and this Knight. Robin Hood’s swords are also held downward and not in a way that will be used to harm another.

    So, taken together, I have a role to play in shaping the story of my family and community, giving what I have of value to others and receiving in return. I will need to be prepared to take swift action to right a wrong that require courage and an open heart, but also peaceful passiveness. Very interesting! Tell me, how was your November in the cards?

  • Deck Review: The Enchanted Tarot aka The Zerner/Farber Tarot

    October 28th, 2025

    25th Anniversary Edition (large deck) acquired 2020. Zerner/Farber edition (small deck) acquired 2024

    *Mild nudity warning

    Overall: 7/10 There was a while in 2020 when I really was keen to started branching out into learning other Tarot decks, when The Enchanted Tarot was one of the best-known collage-style decks on the market and it was hella difficult to get a hold of a copy. Now it seems that there are multiple printings available, so you don’t have to fight over a used copy or pay way too much for a new OOP. The art is photos of absolutely stunning handmade tapestries the artist created for each individual card. That alone makes this a contender for me to consider this deck a “must have” in my collection, never mind it is thirty-some years old at this point and I think has truly made a niche for itself in the Tarot art community. If you were to ask me to list off ten “classic” decks that have been made in my life time, this one would certainly come to mind.

    That being said, even though I’ve been using this deck steadily for five years, and in well over a hundred readings at this point, I still feel like I’m warming up to it. I have split feelings about The Enchanted. There are some days this deck feels truly magical and gives really on-point readings with its clever and creative imagery. And there are other days it just feels busy, fussy and lacking depth. Unfortunately, it’s not just a deck which I’m in the mood for or not (as many of my decks are) seeing as it has given great readings when I only reluctantly pick it up out of a sense of obligation, and has great readings when I’m purposefully using it as well, and it also gives shit readings when the feeling seems to strike it. I dislike talking about my decks as if they have a sense of agency seeing as I don’t really believe that, but if a deck did have a mind of its own, it would be this deck.

    You can see while even the minor and court cards feel “busy” with textures and images, the majors really go overboard including borders that sometimes are cut short in the smaller Zerner/Farber edition which either is a relief because it feels overly-busy, or annoys me to no end as I can see there’s more that is missing.

    The book differs with each of these two versions I have, and both are fantastic and excellent Tarot literature in general and worth the read even if you don’t pick up the deck very often as they are incredibly insightful and even give dreams/meditations/actions to do for each card that are great exercises in themselves. In this way, the deck offers a rather different approach to working with Tarot and I’m here for it, even if I don’t necessarily have the energy to expend on such activities when I pick up this deck to do a reading.

    While I prefer the in-hand feel of the Zerner/Farber (right) I do really really love the backs of the 25th Anniversary edition. They are nearly the same thickness though the Zerner/Farber given it’s smaller than standard size feels stiff in hand.

    Card Quality: 2/5 for the 25th Anniversary or 4/5 for the Zerner-Farber.

    The 25th anniversary cards are MASSIVE, and there is a huge nonsense border. As such, they are made quite flexible and can, if you’re determined, be shuffled, but they are not as durable as I typically like my cards to be. There seems to be a slight texture to the backs, so they’re not slippery; honestly I love slippery cards, but if these giant bad boys were slippery they’d be flying everywhere. I like the large images on these cards as you can see the small details better, but the oversized borders on an already large deck ruins it for me.

    The almost mini size of the Zerner-Farber makes them more manageable, and the cardstock is quite a bit stiffer and they sport a matte gold edging that is really nice in hand. Overall they are the better quality card, but I do wish they were a larger size minus the dumb borders of the jumbo 25th. It would be nice in the future if they’d consider a lux print run with a black-cored center. I’ll never be happy with this deck, I think. 

    A random draw I pulled for this review. Lets look at the Queen of Hearts (Cups). Is she petulant, saucy, concerned, brazen, or even ignoring what is to her right, rolling her eyes? I wonder if she is sporting a black eye or if she’s done thicker eye makeup on her left side. Is she not as she seems, or two sided? This deck leaves much ambiguity in its images and is not for the reader who wants a straight answer.

    Readability: 3.5/5 I’d consider this an intermediate, edging to advance deck with an asterisks*—I found personally I really needed to have some significant Tarot reading under my belt to get the full benefit of these cards. But I shall acknowledge that there is a whole generation of Tarot readers who had this as their first, or an early deck in their Tarot journey and while these stick to the RWS model (more or less, the court cards and the odd-card-out seem a wee bit Thoth inspired), these are not clean-cut meaning cards and there are times I need the book to help me along. Perhaps part of the problem is I tend to lean more analytical and Jungian in my readings rather that tapping into an emotional state, but this deck for me is hard to wrap my head around some days.

    I love the ingenuity of the Aces in this deck, but I find them the hardest to read.

    There’s a lot of interpretation and imagination that goes into each image and they tend to tell their own story and the images seem to morph in meaning for each individual reading. While this really keeps me on my toes every time I pick it off the shelf, due to its consistent inconsistencies, I like the idea of using this deck to read for others as it is very beautiful, but I dislike how I am unsure of its performance. I’d say if you are drawn to the images and are ready for a challenge in a deck, this will give it to you.

    The book(s) is(are) great fun, with lots of extra information, waxing poetics, dream work, and manifestation magic, but you’re going to have to listen in to your inner intuition to make a smooth reading at the end of the day. I personally have gotten great readings, quite cheeky and flirty actually, but it takes some skill on the reader’s part. I think that this deck loans itself particularly well for readings about relationships (friends, lovers, family, enemies, etc.), and I personally consider this a Shahrizad-esque deck in that it evokes images of old-as-time stories with a bit of a satirical twist.

    The 25th Anniversary Edition has the full images and imo slightly better image quality. The borders are distracting at best, but I see the thought process of not wanting the titles overlaying the image. The cards also have a slightly waxy finish that causes glare, as you can see.

    Art: 5/5 I typically don’t care for collage decks, but I’ll make an exception for The Enchanted Tarot. I am particularly drawn to the Art Nouveau/Orientalist style a lot of these cards have. The fabrics in the tapestries really make these feel rich, layered and just sumptuous. I know a few years back The Textured Tarot was having a moment, but to be perfectly honest I feel this deck has a lot more texture to the images, and it reminds me that one day I’d love to have an actual fabric Tarot deck in some shape or form. I have a bit of a love/hate relationship with the fact that the images are of people all over the historic spectrum and I struggle to have a mental “place” where I feel the setting of this deck occurs. In this sense The Ink Witch Tarot is very reminiscent of The Enchanted Tarot, but I feel there is a lot more story to each image with the Enchanted/Z.F. which becomes a blessing and a curse in readings.

    Favorite Card: The High Priestess

    Least Favorite Card: I don’t have a card I dislike in this deck

    Card I Identify As: Queen of Hearts (Cups) I love how every time I read her it’s different.

    The deck Identifies me as: The Princess of Cups (? I don’t know why, I almost never relate to the Page of Cups)

    Season: Valentines Day, Late Winter to Early Spring, also, the sultry days of Summer

    Boxes it Checks: Collage, Textured, Fabric, Sumptuous, Story Telling, Romantic, Flirty, Cheeky, Art Nouveau, Orientalist

    Similar Decks: Tarot of Mystical Moments, Moon Child Tarot, Star Child, The Textured Tarot, any deck that uses mixed media, The Ink Witch Tarot

  • October 2025 Decks

    October 28th, 2025

    Hello Folks! I tell myself this lie each year, that now it’s October and peak spooky season, and it’s (supposedly) going to be cooler and rainy (ha) that I will suddenly have “more time” in which to be retrospective and a homebody and broody. This never. Effing. Happens. Needless to say my more “fun” to-dos get pushed back. I also am really overdue for posting a deck review—any decks y’all have been really wanting a review on that you’ve seen me use? That’s assuming that I’ve had it in rotation enough times to give a fair review.

    Still, sticking with a Halloween theme, I wanted to focus on using decks that exemplified the concept of the “dark feminine” or otherwise, non-traditional takes on the feminine aspect. The choices for this theme are a little self explanatory in that they focus on mostly female presenting figures who are more witchy/outside regular expectations for women. Except for the Nameless One Tarot, which is the most exemplary example of a dark feminine vibe deck without any figures (except some great skeletons). Lets get on with the draw!

    Quite the drastically different backs! Clockwise from noon: The European Goddesses and Spirits Oracle Deck, Discovering Beauty Tarot, The Nameless One, Blood Moon Tarot. Center She’s Wilderness Tarot

    The European Goddesses and Spirits Oracle is a deck that I typically wouldn’t add to my collection but I really was enchanted with how the artwork mirrors many of the traditional tarot cards. Sol, the Norse/Germanic goddess of victory, hope, healing and vitality is perhaps the closest to the traditional tarot card of the same name. I love how we have the white horses which make me think of freedom, and the sun flowers possibly the most joyful flower, and the sun (of course), all traditional images of happiness and joy, but we have a wizened, lovely lady. The book that accompanies this deck is positively excellent, but let me focus on what really grabbed my attention and I’ve been thinking about all month, which is the concept of hope. There’s hope which you know will happen, like the sun will come up tomorrow, but then there’s this hope rooted in a deep sort of inner faith, like hope for a better future, even when it seems like there is no chance of that happening any time soon. Hope, unlike wishful thinking, is an active practice.

    Y’all, The Blood Moon Tarot is coming out mass market. I have the second edition printing, but I preorded the MM for BORDERLESS GOODNESS! This deck is one of my soul decks for sure. The Blood Moon is definitely an OG in my tarot collection, but it’s rare I share it with the world at large as I find this a very visceral and personal deck, but I couldn’t pass up adding it into this month’s dark feminine theme! From the Blood Moon I drew the bold Page of Wands. This person is clearly off on and adventure and isn’t pausing one bit while they grow their delicious golden chanterelles! You’ve got momentum, you don’t have everything figured out, but you can figure it out on the way! Don’t be afraid to pause every once and a while and see what comes from those moments of down time–things grow in the breaks and silence. Also, get out there and forage some mushrooms!

    She’s Wilderness Tarot was a deck I didn’t back on Kickstarter and regretted (same with the next deck, it’s been a weird year, okay?). I’ll start with the glaring negative of this deck which is it lacks age, shape, race, and a plethora of other diversities which was why I did not back it during it’s campaign. Now, it does do some really interesting things though which is why in the end I purchased it despite this lack. This deck is strange as it takes pretty typical RWS ideas and framework and really gives it a twist. At face value it seems like a very “women in the wild” feeling, with bright happy warm colors and expressive figures, but it provides some very different interpretations of the cards. Here with strength, which I typically think of as taming the animalistic inner self, we see a woman offering a little cat like dragon a drink. With the amphora and the cup I think of the traditional temperance card. I also see the opium poppy buds, a potent medicine that can be used for good or evil, and a DRAGON (of reasonable size), which makes me think of hoarding, emotional fiery outbursts, and mythical thinking. It is reminiscent of the phrase “having tea with your demons” which speaks to being mindful of your negative emotions, and seeking to have self compassion to understand them rather than reacting with shame.

    Discovering Beauty Tarot was a deck I backed as I love Japanese Notan art (which is the inspiration for the art style) and then chickened out of and ended up buying for more after the KS ended (as one does). This is definitely one of those scary decks for me that hits a little too close to home. As a person who is more comfortable being a little removed from her emotions, I am not one to be drawn to imagery that demands embodiment, as this deck does. But when I saw my bestie using the deck (and using it myself) I realized this is a deck that will help me grow, not only emotionally by demanding I take a long look inward, but also in reading Tarot. While it uses a loose RWS structure, it is highly self-examining. When I see this IV of Water (Cups) I think of the song “Unwritten” by Natasha Bedingfield, which says “Feel the rain on your skin, No one else can feel it for you, Only you can let it in.” This card calls me to let my feelings wash over me. Instead of a traditional Strength card which is taming those feelings, I need to accept them and truly feel them. My experience is unique and valid even if it isn’t necessarily a feeling I want to have.

    These three cards together make me think that this month I must be present in myself, my body, my mind, and my emotions. There isn’t a demand to change or repress, but to experience. There’s a strong sense of bodily feeling and connection between the body and emotions and self-acceptance.

    And we end our draw with the very alchemical feeling Two of Cups from The Nameless One. Immediately with the two snakes it makes me think of the caduceus staff of Hermes with the two entwined snakes, speaking of travel, commerce, and negotiation. Our two cups seem to represent life and the growing, and death and the wilting. With October being a turning point of fall into winter and with many cultures observing and honoring various days of the dead, this seems rather on point. We have two king cobras meeting and entwining, deadly creatures that are staying their bite to meet in unison. It makes me think of what from my past is here to help me now? What must I make friends with? Where can I find new love in my life? Seeing as it comes under the interesting strength card, it again seems to ask how can I make peace with my inner struggles. Such a cool card, one of my favorites in this deck.

    Taking the whole reading together, I see October as a month where I learn how to foster hope by leaning into my self, feeling the feels, and integrating the old with the new. Though I tend to think of October as a month of harvest and the fields going fallow for winter, these cards speak of inner growth!

    How has your October been? What decks are you using this month?

  • September 2025 Decks

    September 3rd, 2025

    Ah! September is the beginning of Spooky Season for me! I was having a bit of late summer lull and was drawing a blank on a theme for this month when my Tarot partner had a brilliant idea: Lightness and Darkness or Joyful and Somber. Balanced decks that exemplify a positive view and are more happy-go-lucky, and serious contemplative decks that are dense and “deep” readers. Interesting! This is the perfect back to school theme. I have done black and white deck themes before, light and shadow of the self as well, but this is more specific to the way the deck tends to read. I love this juxtaposition because it is asking for overall well-rounded decks.

    I’ve used all of these decks rather extensively with the exception of the new Verdance Tarot, the second Tarot child from Stephanie Pui-Mun Law who made my beloved Shadowscapes Tarot. Verdance is just a gorgeous deck with great cardstock, and while there are similarities with the Shadowscapes, it definitely has a much lighter feeling to it. I’m looking forward to really getting to know it this month! While it is an “animal” deck, it also has plenty of humans and fae AND it is rather watery with it’s colors so it feels plenty summery as we enter the first balmy days of September.

    My True Black Tarot seemingly needs no introduction on this blog. If I had to choose a somber and serious deck out of all my decks this one would always take the prize. It is certainly not a mean deck (unlike The Lubanko or The Corrupted Tarot which definitely have some…sharpness to them), but it takes itself seriously.

    Tarot of the Golden Wheel is like that friend who can always see the silver lining, no matter what the situation! And, despite using it for many years it still gives me pleasant surprises. While it isn’t a “fluffy” deck, it always remains bright and intriguing.

    The Terra Volatile has been my deck love this year. After just adoring the large collectors edition I broke down and purchased the regular edition when they ran their most recent printing run. I also sprung for the VERY large companion book. This deck is really deep. While the cards are classic RWS/Thoth/Marseilles, the images bring more questions than answers at times. This is a complex deck for sure that makes you stop in your tracks. And think.

    One of my biggest struggles with Oracle decks in general is I dislike lack of balance in the content. The Seed and Sickle is an incredibly neutral feeling deck, where the cards can have positive, negative, and neutral readings. I take issue with the two separate books, but because I love the idea and the art I get over it (mostly) and use both in a reading.

    Lets get on with the reading!

    A very interesting blend of backs.

    We open with thoughts of Spring! My monthly oracle card is lucky number 7, with the Cherry (and cuckoo). The cherry tree is one of the earliest blooming trees and often is romantically associated with spring, but it’s blossom period is very short lived. This can speak to a new period of activity, a short window of opportunity, a fleeting happiness or renewal of happiness, and springing forth on a new endeavor. There apparently is a myth that the cuckoo will continue to sing until it has thrice eaten its fill of cherry blossoms. This myth makes me think of self care, enjoying the moment (carpe diem), being an early actor, and using the situation to your benefit. Okay! Nice way to start the draw.

    From the Verdance I drew the 7 of Cups, which in the guide book is titled “The Illusionist.” It acknowledges the imaginative power of inspiration but asks us to “discern wishful thinking from reality.” Opening with the very dream-like cherry, I see this as abstract ideas taking root. Grounding ideas that have only prior been in the mind. There is some work that has to be done to decide which ideas are most viable. Everything looks very pretty and nice in theory but in actual practice can fall short. I also notice the dragonfly, which to me is a powerful symbol of transcendence. I must not only look at which “lotuses” have strong roots but I must also view the bigger picture from above, removed from my self. Interesting.

    This is paired with the Terra Volatile’s traditional Empress. She looks very regal but incredibly exhausted! She has the trappings of a classic Tarot Empress, the throne, the wheat, lush vegetation and with that the unbridled, almost primal creativity and ability to birth something new into the world. Paired with the Seven of Cups I see her as having the courage to choose a path of action amidst many choices and having the faith to mother that concept because you believe in it. But, as seen with the flaming pierced heart on her shield, there is heartache in creation, and the pain of letting other ideas go. There is definitely something that I’ve been thinking about I’m going to take action on!

    The Golden Wheel’s Six of Swords may be by favorite portrayal of this card out of all my Tarot decks. I’d actually have never drawn this card from this deck until this monthly reading. I love this image of a child being lead through the windy forest by an elder towards a beautiful glorious body of water. This card speaks to me personally with some past experiences, but it’s also just beautiful as well. With this cards, I see a new wind is blowing. I have the opportunity to use it to my advantage. There is something that looks beautiful and great ahead. It is both somewhere I want to go and someplace that is a safe haven. A brave person will help me to this place, but in the end only I have the ability to bring myself there if I so choose. I will have concerns and reservations about going, I worry not about what is ahead, but what remains behind me. It feels very much like the cusp of an adventure, but there’s always that hesitation of going forth into the unknown.

    The partner card is the beautiful Justice from the True Black Tarot. It is an ongoing joke between my Tarot pal and myself that Justice really does haunt me in my personal readings. It’s not often though that it appears in my monthly readings. I typically read justice as facts and truth, discerning the “right” choice, answering for wrongs, trying to right a wrong, and accountability. Paired with the rest of this draw, I see this Justice advising that the choice(s) ahead is not easy. Each path has unique sets of challenges that I’ll have to answer for. But its important to strike a balance between my personal goals and ideas and what is necessary to be done. Sometimes things in the past have no good solution and are left unresolved. I may see that as I move forwards, others behind might refuse to come to terms with where I am going. There is an aspect of having to see the truth clearly, how denial will not shelter one from repercussions. It also assures me that things will be righted in the end.

    Now that I’m looking at this from the “birds eye view” as suggested in the seven of cups, I’m going to go ahead and briefly look at the other pairings.

    7 of Cups paired with the Six of Swords: I have many choices; will I stay where I am or will I move forward with this new wave? There is an overall positive, invigorating feeling. I am naturally creative and driven so it makes sense I will go forward, just make sure I’m leaving behind the right things. I also feel the ability to see both above and below the water—lilies that bear flowers need to have roots that connect them to the earth—there is more beneath just a good idea. Be realistic and set realistic goals–with this attitude you can sail beyond the horizon! Be willing to litmus test by going into deeper waters, taking calculated chances.

    And then looking at the III Empress and Justice pairing: I envision the age-old struggle of the heart vs the mind. Having hard truths, yet being able to love despite the reality. I see these two as holding space for both things, you can be just and still profoundly love and care. You can be creative and bring newness into the world and still be truthful and honest. Letting that which does not help you, go. Keeping true to yourself. Holding space for the inner truths and emotions as well as the hard cold outer truths and realities. The heart burning in silence, and the truth winning out. Certainly a powerful and strange juxtaposition.

    I see this month as being a precipice on which I will make a decision of what to do next, an action that will happen either with or without me and it will happen quickly and the window of action is small. It is both exciting but also sad because there are aspects that I need to let go of and dreams and ideas that will die and be left behind. I’ll have internal struggles as well, having the need to balance both my needs and desires as well as facing the reality of situations and needing to act fairly. Geez, lot of stuff! How about you? How is September looking for you?

  • August 2025 Decks

    August 18th, 2025

    Hello and greetings! After an absolute wild and hilarious month of a “D&D” party of decks (maybe one day I’ll share the crazy draw my Tarot friend and I came up with), it’s time to slow down and savor the final (hopefully) month of the hot summer—with decks that encompass the idea of movement! That may sound like an odd theme, but while using my last months decks I found it interesting how the juxtaposition between “action” and “inaction” portrayed in art had on how I felt about an image. So of course I need to look at it more closely in the Tarot world! And I wanted to start with movement, to experiment and explore what this does to a tarot reading.

    I didn’t have a difficult time at all choosing decks for this month’s theme as I tend to be drawn to decks that are, well, not exactly stagnant in their art! I tried to pick some decks that have had very little time on this blog in general, except I had to bring out an old favorite!

    Right to left: The Tarot of the Silicon Dawn, The Whisper of the Stars and Garden Tarot (“Self” edition), Spiritual Cycle Oracle, The Riderless Tarot, the Shadowscapes Tarot (Czech Edition).

    Naturally, all of these decks this month encompass excellent examples of art that portrays movement, but I especially am excited to start learning The Tarot of the Silicon Dawn as it is a deck I have wanted for years and years and only recently was able to snag an affordable used copy! I also have the recently acquired through Kickstarter The Whisper of the Stars and Garden Tarot, which is just drop dead gorgeous and turning out to be an excellent, moderately traditional RWS. The Spiritual Cycle Oracle and The Riderless Tarot I’ve both had and used frequently for quite a while now, but have somehow not ended up the monthly subjects of study (which considering how much I adore The Riderless, is a crime). And of course, the Shadowscapes is the deck that really pulled me into the fascinating world of Tarot and is a deck I still refer to and love for all the motion that is constant in the images.

    So I’ll admit, I had a totally different layout for the cards planned this month, but I first drew this intriguing 2 of Cups from the Silicon Dawn (though, every card from SD is intriguing to me!), followed by these double jumpers from Stars and Garden, and I decided to completely restructure my draw to match this 2 of Cups.

    When I “read” Tarot for myself, I tend to take a fairly Jungian point of view, or point of meditation, and this image of the dark and light figures, the darker one sinking and the lighter one rising, combined with the cups’ contents flowing down and up, not only do I get strong Temperance vibes, but I also see this as a recognition of our “shadow” self often described in Jungian psychology. We need both the “light” and the “dark” self to function and be healthy individuals, but we often struggle to identify the shadow self and thus struggle to integrate it into our understanding of self. From a card that I typically see as making a new, or refreshing a connection with another, to seeing the “true” inner-self is indeed interesting! I also like this notion of how things must go up and down to achieve a balance. It asks perhaps how is my shadow self nourishing or affecting my conscious self, and how shall I nourish my shadow self?

    This concept is further explored with both The Sun (upright) and The Devil (reversed) from the Stars and Garden. Very simplistically (and perhaps a petitio principii fallacy), I might read this as “at your best, you are your best, at your worst, you are your worst”! I certainly think that if the Devil has an “opposite” card, I’d likely pick the Sun, and visa versa. If I think immediately of our Jungian 2 of Cups, I see this as when you are at your best, you can see what you are at your worst, or, of course, the opposite. Speaking personally, I know my best and worse selves certainly coesixt together and some of the things I regret doing or saying tend to happen when I’m feeling “at my best” and I’m most willing to take risks. I can also read this as though I’m enjoying life and living authentically in the sun card, there’s always the undercurrent of my own shortcomings that can change my state of being. Though this is a little bleak, and I like to believe we have agency over how we act towards the outer world. I like how the horse and the child move together across the field of flowers, where as the two people in the devil are stuck, and motionless.

    This card came out sideways, and while I up-righted it, twice the wind from the window flipped it sideways again, so I decided to just leave it that way! This card seems pretty black and white (haha!), you either win or you lose. But, it reminds me of one of my favorite cards in the Tarot, the Five of Swords, which is often a “make or break” card for me when I invest in a new deck. I, typically, read the V of Swords as “the cost of winning.” Sometimes that cost is losing a lot before you gain the skills to win. Sometimes is means losing something precious because of winning, or in the attempt to win. It’s important to decide if the risk of wining and the sustained losses that go with it are worth the win. Or, in another way, do the ends justify the means? It also makes me think what in my life am I pursuing to “win”? What are the risks associated with that? What happens if I lose? I see the “win” side is next to my previously drawn cards—I think being honest with one’s self is always a win!

    Hmm, and interesting set of three cards! On the far right is the Shadowscapes Knight of Pentacles, the card of “slow and steady wins the race,” unwavering diligence, and methodical work–certainly the most contemplative of the otherwise rash knights! This may be the year of the Knight of Pentacles seeing as I keep getting him. In the sense of movement, it seems like the wyrm he rides is looping back on itself though he looks forwards at his end goal—in what ways are the motions I’m taking not helping me progress? It also makes me think of X The Wheel of Fortune major card seeing as it speaks of a wheel of cycles the human experiences in their life.

    Its interesting the Knight of Pentacles is paired with the VII of Pentacles (see how the golden apples look like they’ve rolled right down the hill into the center of the knights woodland wyrm?) a card of steady work and application of skill, juxtaposed with the short fused but sharp minded Page of Swords, whose ready for action. If we think back to the 2 of Cups and ask in what ways does these two things exist even if at first look they seem opposite, we can say that the attentive practice of skill is juxtaposed with the new sharp ideas that are different from what you’ve already been doing. It can look threatening when there’s something new, and especially (given its a Page) when that concept is untested. But there is no motive to practice and get good at a skill if there wasn’t that initial spark.

    The three together with the “Lose” side of the oracle, I see as a desire to make motion forward but that motion needing room for a new spark to ignite new ways of thinking and ideas! If those new things are repressed there’s no wining that endless grid!

    All together, I see this as a reading of the ability to take two paths; one that seems at first glace rather hedonistic, but is really the path of staying true to yourself (your whole self), while the other has an inner argument of the best way to go about things where there’s already established “way things should be” process. Unfortunately this is a path that doesn’t seem to want to progress! Perhaps I should ask myself what ways am I being dishonest with myself that is preventing me from progressing?

    Hmm, a very interesting introspective month! What do the cards say for you these days?

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